In Antoniuk’s opinion, there may be such a factor nearly as good and dangerous product, furnishings, and inside design. However levels of choice create a grey space the place a transparent line between high quality and an absence thereof ought to exist. “The grey space is available in when folks begin to speak about style and about levels of aesthetic. I could love the design of Bauhaus furnishings, for instance, whereas anyone could really feel that it’s too chilly and void of character. Not in contrast to nice artwork, I consider that a lot of what got here from this period is ‘nice design,’ partially as a result of it represents an period and a philosophy. After we begin to combine in discussions of style and choice, that’s the place the grey areas of excellent and dangerous design get blurred.”
Antoniuk additionally believes that individuals can intuitively “really feel” and sense good design. “Very often, this pertains to ergonomics and the usability or performance of the services and products and methods. Having stated that, I feel far too many individuals count on poor design that doesn’t actually work properly,” he instructed Snugme.
What’s extra, he believes that good and dangerous design are expertise that may be discovered, particularly once we begin diving deep into the realm of aesthetics. “For me, nice design is what Dieter [Rams] talks about—additionally it is intuitive, it’s deeply sympathetic and empathetic to the consumer in any respect ranges, and at some degree, it’s emotional. It’s a catalyst for giving us emotions.”